Researching sex worker politics and movement history for my book led me first to Carol Leigh’s wonderful archives, and then to what I only realized upon digging through dozens of boxes had become my own. (You spend ten years going to protests, conferences, clubs, brothels, and brunches with other sex workers, and you will amass a beautiful collection of paper.)
As I pack my materials back up into my archives, I’ll post pieces of my collection here.
Program, 5th Biennial Sex Worker Film & Arts Festival, July 14th-22nd, 2007
It’s only fitting to start with a program for Carol Leigh’s own Sex Worker Festival, which continues on in San Francisco. In 2007, it coincided with the Desiree Alliance national sex worker conference, for a week of workshops, performances, films, and parties.
A detail of the program. (Archived as text here.)
These programs funnel men arrested for buying sex (or trans* women misgendered as men, as well as queer men, who are arrested for selling sex) into classes meant to prevent them from buying sex again. Researchers Rachel Lovell and Ann Jordan authored a thorough report on how these programs work, and more to the point, why they don’t actually work.
The Roaming Hookerfest featured a project I collaborated with Norene Leddy on back in the day, The Aphrodite Project, a GPS-enabled platform shoe connecting the wearer to a private support network, over which they can share their location as a safety measure. Under the heel, the platform also housed a shriek alarm and video screen. Platforms were never meant for mass manufacture; we created a DIY kit for anyone to make their own. We talked about putting a mini-projector into the platform (a suggestion from artist Natalie Jeremijenko) so being part of this guerilla projector mobile movie fest was perfect.
(Want more? Here’s everything you need to know about the 2013 Sex Worker Film and Arts Festival, and how to get involved next time.)